This book is on
the list of books recommended by members of the CMA listserv as a book that all
journalists should read, and I would agree.
I’ve read some of Joan Didion’s most recent books, including the
previously reviewed The Year of Magical Thinking, but this is the first one of
Didion’s early books that I’ve read. This book is a compilation of essays
Didion wrote, mostly about 1960s California.
For those who were children, or rather teens and young adults of
the 1960s, this book will remind them of life during the days of drugs,
alcohol, rock ‘n roll and free love. Since I don’t really remember those days,
this collection of essays gave me another view of the counterculture movement,
but what this really gave me was an indication of the lyrical writing style
that Didion developed.
While her latest books display a fully developed writer
undertaking some of the most difficult subjects anyone has to deal with such as
death, dying and the grief process, this book shows Didion in the early stages
of her craft but with talent to spare.
Didion’s use of language and style to display tone and mood are
superior. Her finely tuned reporting ability gives you the feeling that you are
there with her as she interviews Joan Baez, John Wayne and “average” people
with the hopes of getting to the heart of life in 1960s America.
This collection gives a great perspective on the history of the
United States and the history of a great writer and reporter. Didion shows a
keen eye for detail, facts and lyrical voice, providing some of the best
narrative writing you will ever read.
A must read for journalists—I’d say absolutely. Unlike the crazy
antics and writing of Hunter Thompson, who also wrote about this time period,
Joan Didion provides facts and truth, describing the world as it exists and
dissecting its meaning, something that all journalism students would be advised
to learn.
Up next, Rachel
Carson’s Silent Spring.
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