Zoo Story: Life
in the Garden of Captives by Thomas
French
This is on the
list of books recommended by members of the CMA listserv as a book that all
journalists should read. For its depth of reporting, I would agree, but I find
the writing style to be a bit over the top in places, really reaching to be
clever or make a point.
Yes, I realize
who Thomas French is. He’s a Pulitzer Prize-winning journalist who won his
Pulitzer for feature writing. Yes, I understand that he’s the perfect person to
basically write an extended feature story. But just because he’s a Pulitzer
Prize winning journalist doesn’t make what I’ve said about over the top writing
less true. To me, that makes it even more important to point this out.
When I teach
reporting, especially when covering disasters, fires, and the like, one of the
first things I tell reporters is to watch for overwriting. With disasters and
new reporters, that’s the tendency—to make it the worst disaster of all time.
At times, French slips into the line of writing with hyperbole, exaggeration
and just plain over-the-top analysis of the setting, the animals and the people,
anathropomorphizing his way through the zoo. While this should probably be
expected in a book about a zoo and its animals, it’s very difficult to explain
to the students who will be reading this book why it’s okay to do the things
they’ve been taught not to do.
French is great
at story flow. This story moves pretty seamlessly from Africa to Tampa, but
then it stops. While the elephants start the story, the only ones we learn more
about are the ones in Tampa.
I wanted to hear about the other elephants headed
for San Diego. How did they fare? French spent so much time getting me
concerned about all of these elephants flying to the United States that I was
disappointed when I didn’t get the whole story.
As a piece of
non-fiction writing, I’d say this book has some things to teach beginning
students of journalism—the importance of storytelling to enfold your reader in
your writing, the importance of reporting to get details and color. But I’d say
young journalists should read this book with a word of caution from professors
of journalism: Simple writing is best.
Up next, Truman Capote's In Cold Blood.
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